As a digital subscriber, you’ll receive unlimited access to Horn Book web exclusives and extensive archives, as well as access to our highly searchable Guide/Reviews Database.
To access other site content, visit The Horn Book homepage.
To continue you need an active subscription to hbook.com.
Subscribe now to gain immediate access to everything hbook.com has to offer, as well as our highly searchable Guide/Reviews Database, which contains tens of thousands of short, critical reviews of books published in the United States for young people.
Thank you for registering. To have the latest stories delivered to your inbox, select as many free newsletters as you like below.
No thanks. Return to article
(2)
K-3
Clarke (The Patchwork Bike, rev. 11/18) pens a love letter from parent to child. The title page depicts a pregnant Black woman with one hand on her belly and the other held by a Black man, presumably the child's father. The vibrant colors and the positioning of their heads and hands give off a positive and affectionate feeling for the new baby. The poetic text opens with "Little one, / when we say Black Lives Matter, / we're saying Black people are wonderful--strong." The images that accompany these lines show the infant in the arms of their parent. As the child grows, the poem continues to define what it means to say "Black Lives Matter," with action verbs throughout: "...when we call out / when we scream out / when we sing..whisper...sob." The story ends with the child in cap and gown, preparing for the future. Textured, motion-filled collage art depicts Black lives as full and loving despite the pain inherent in much of Black history. Throughout, Clarke highlights the joys and struggles of what it means to be Black in ways that are affirming for all readers.
40 pp.
| Candlewick
| September, 2018
|
TradeISBN 978-1-5362-0031-7$15.99
(1)
K-3
Illustrated by
Van Thanh Rudd.
A child in an unnamed village "where we live inside our mud-for-walls home" describes the diversions of daily life, including zooming about with "my crazy brothers" on a "patchwork bike" built of scrap. Clarke's spare, mellifluous language is hand-lettered on Rudd's rough, tactile paintings composed of heavy acrylic paint on recycled cardboard. The illustration choices reflect the book's theme--exposing the harsh reality of life while acknowledging the resilience that comes from homemade joy.
Reviewer: Thom Barthelmess
| Horn Book Magazine Issue:
November, 2018
2 reviews
Get connected. Join our global community of more than 200,000 librarians and educators.
This coverage is free for all visitors. Your support makes this possible.
We are currently offering this content for free. Sign up now to activate your personal profile, where you can save articles for future viewing.